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	<title>XLR Connections - Revision history</title>
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	<updated>2026-04-12T02:22:04Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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	<entry>
		<id>https://www.edis-audio-visual.com/Wiki/index.php?title=XLR_Connections&amp;diff=3261&amp;oldid=prev</id>
		<title>David131: Protected &quot;XLR Connections&quot; ([edit=sysop] (indefinite) [move=sysop] (indefinite))</title>
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		<updated>2010-07-18T00:01:34Z</updated>

		<summary type="html">&lt;p&gt;Protected &amp;quot;&lt;a href=&quot;/Wiki/index.php/XLR_Connections&quot; title=&quot;XLR Connections&quot;&gt;XLR Connections&lt;/a&gt;&amp;quot; ([edit=sysop] (indefinite) [move=sysop] (indefinite))&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;[[Image:XLRpinouts.png]] &lt;br /&gt;
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&amp;lt;br&amp;gt; &lt;br /&gt;
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{|&lt;br /&gt;
|-&lt;br /&gt;
| align=&amp;quot;center&amp;quot; style=&amp;quot;background:#f0f0f0;&amp;quot; | '''Pin''' &lt;br /&gt;
| align=&amp;quot;center&amp;quot; style=&amp;quot;background:#f0f0f0;&amp;quot; | '''Function'''&lt;br /&gt;
|-&lt;br /&gt;
| 1&lt;br /&gt;
| Chassis ground (cable shield)&lt;br /&gt;
|-&lt;br /&gt;
| 2&lt;br /&gt;
| positive polarity terminal (\&amp;quot;hot\&amp;quot;)&lt;br /&gt;
|-&lt;br /&gt;
| 3&lt;br /&gt;
| return terminal[2] (\&amp;quot;cold\&amp;quot;)&lt;br /&gt;
|}&lt;br /&gt;
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'''XLR Connector''' &lt;br /&gt;
&lt;br /&gt;
The most common is the three-pin XLR3, used almost universally as a balanced audio connector for high quality microphones and connections between equipment. XLR3 was also used to transmit MIDI data on some Octave-Plateau synthesizers including the Voyetra-8. &lt;br /&gt;
&lt;br /&gt;
Some audio equipment manufacturers reverse the use of pin 2 (properly the normal input) and pin 3 (inverting input). This reflects their own previous usage before any standard existed. Pin 1 is always ground, and many connectors connect it internally to the connector shell or case. &lt;br /&gt;
&lt;br /&gt;
&amp;lt;br&amp;gt; XLR and ¼&amp;quot; TRS combo jack. Although covered in AES48-2005 and in AES54-3-xxxx, it is worth noting that there is disagreement on the best way to handle the usage of pin 1 at both ends of a cable, particularly with respect to the cable shield, the connector's shell, signal ground, and a third cable wire connected to pin 1 — which may (or may not) be connected to the shield. An XLR3M (male) connector is used for an output and an XLR3F (female) for an input. Thus a microphone will have a built-in XLR3M connector, and signal cables such as microphone cables will each have an XLR3F at one end and an XLR3M at the other. At the stage box end of a multicore cable, the inputs to the mixing desk will be XLR3F connectors, while the returns to the stage will be XLR3M connectors. Similarly, on a mixing desk, the microphone inputs will be XLR3F connectors, and any balanced outputs XLR3M connectors. Neutrik also offers several models of &amp;quot;combo&amp;quot; jacks that accept both XLR and ¼&amp;quot; TS or TRS plugs.&lt;/div&gt;</summary>
		<author><name>David131</name></author>
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